the miyashita yuu lyric archive

 shoutai wo misete yo, chikashitsu ja kurakutte kuronuri no kagami, jibun utsuru dake nikutarashii kurai ni, boku ni nite iru yatsu "tokumei kibou" sugata katachi sokkuri mezawari de imaimashii, nani mo ka mo wo mane shite sa konna ni seirenkeppaku nanda sonna usotsuite inai yo, suru wake nai yo boku koso shoushinshoumei nanda monomane no kimi ha iranai, keshite yarou ka hitori nazotoki gokko, inu mo kuwanu joudan kuronuri no kagama ha, seikai utsusu dake konna kirai na yatsu, boku igai nanda "tokumei kibou" akasu imi nakattan da hinekurete imaimashii, nani mo ka mo wo kiratte sa sonna ni sonzai shoumei shinai de saisho kara shitteta yo, mitaku mo nai yo dare ni mo seiseidoudou nante irarenai, nigete kakurete kiete shimaou ka ha tsukitsukereba inochigoi shite nasakenai kao shiyagatte sa sono ue nikidasu hate made ikujinashi de.. sore demo jibunjishin nanda hanaretaku ha nai yo, "boku" de itai yo konna ni seirenkeppaku janai usotsuite bakka demo, sore de mo...

In my mind's eye, I had a vague image of the characters and setting of the world, which was a slum-like environment. The main character, a poor boy who earns his daily bread by dancing, is constantly abused and mistreated by everyone, and gradually becomes mentally deranged due to poverty and stress, unable to distinguish between reality and fantasy. He ends up hunting down those who mocked him, covering himself in their blood, and dancing to attract attention. The story is a metaphor for the feelings we all have of wanting to be noticed and not be abandoned. The wonderful images created by Uguisu Kobo blend the psycho-horror elements that blur the line between reality and delusion with the comical and eerie cartoon-like worldview, and when combined with Yuu's songs, it is a unique and one-of-a-kind work - nilfruits This is a "pop and mad" animated music video with cartoon-style visuals and a psycho-horror backstory. For this work, we dared not to create a storyboard,...

When writing a new song for Yuu Miyashita, an artist with such a rare voice, my first thought was "I want to present him with an exhilarating song. That's how "I want to discuss you" was born. The theme is the title itself. I just wanted to discuss it. It may sound like a lie, but the idea had already formed in my mind during the meeting. I must have been lucky. It was sick, bizarre, dark to the point of longing, aggressive, abnormal, and alluring. Naturally, these were the images that were in my mind when I was composing the music video. Now that you have made it into a music video, I think you have skillfully expressed the atmosphere of "pleasant darkness" that I put into the sound. It is brilliant. I discuss "you" with sound and brushstrokes, and Yuu Miyashita discusses it again with his singing voice. I hope you will all try this uroboric piece. I hope it will please your palate - teniwoha I created the picture and storyboard based on Teniha...

rarabai, boku ha kaerenai nete mo mezamete mo yume no naka akumu ha chi no kaori ~doko made mo~ mogaki kurushimu sono sama de dake na no kawaki wo uruosu no ga jinsei nanda mou zutto zutto mukashi suteteta hazu no noroi, ima mo "boku ha zenbu oboete iru kara ne" yameta omoi ga kokoro ni aru no sa itami ya funnu ga meshi no tane kanashii uta ga kokoro wo tsukisasu rarabai, boku ha yume no naka mezamenai yamanai yume no naka nogareru koto ha yurusarenai kurikaesareru dake ~itsu made mo~ me to me ga aeba un no tsuki shi no hate made yorisoi au no ga unmei nanda sugisatte shimatta koto to nagasou to shite, mo boku ha "zettai ni yurusanai kara ne" himeta negai wo sodatete iru no sa dare ka ga dou toka hontou zai nemurenai yoru ha koudoku wo tashinamu rarabai, boku ha kaerenai ame ga yamedo kaerenai aa nando nando akirame tadoritsuita saihate e sono akumu sae mo yume no ichibun to shiyou dakara "kimi mo nogashi ha shinai yo" yameta omoi ga kokoro ni aru no sa it...

"The theme of this song is like a never-waking nightmare. At the same time, I also imagined love and addictions that you can't quit even if you try. I wrote this song while thinking about the similarities between the suspicious atmosphere of Yuu Miyashita's song and the atmosphere of my own music. I also like the way the song has a narrative part before the chorus, which is creepy in a good way." - syudou "They were lovers, but one day they get into an accident which causes the woman to lose consciousness. The man comes to visit her every day, but the woman has a hallucination in which they blame themselves. The reason I included a shot of the man wearing a patient's uniform is that he might actually be the one who has had an accident and is asleep. I wanted to make it seem as if the man is having a nightmare and the dream is either true or false." - 檀上大空 "A bud has sprouted on the man's back, and the part of the flower that has begun to bloom w...

kage ni oboreta, yume no ude wo tsukanda tenshi wo umi ni shizumeta kage ha yume no owari wo mada shiranai nigemadou yamiyo wo oitsuzuketa zaika ha, mada uso wo tsuiteiru, kuruenai mama utsukushii akai chi no TISA kimi wo kizutsuke, ubaitanda houseki no you na namida no TISA kimi no hitomi ha, kazatte ageru kara kage ni oboreta, yume no ude wo tsukanda tenshi wo umi de mitsuketa kage ha yume no owari wo mada shiranai itaraku tsukiyo ni, kakimushireba hanasaita you de hajime kara emi ha kowaretetan da dare yori mo uruwashii TISA kimi no kokoro wo, kitte mitai na koori no you na koe no TISA kimi no kubi dake, aishite ageru kara yami ha kieteita nani mo yurusanu mama ni hikari no naka de tenshi ha naiteita ikitatte shindeiru norowareteirun darou ano ko ga hoshii ano ko mo hoshii owaranai yume wo miterun da koko de shiawasesou ni shiteru ai de afureru yume no tsuzuki wo itoshii TISA ni kakomarete yami wo nomu no ga, akki no you de kizuitan da haite haite haite nigerarenai sashite sashite s...

yubi wo kitta dake kuroiro no yakusoku moete moete tsume no saki made ima sugu uso wo tsukanakya hontou no watashi wo kimi to issho ni tabetai no? shitte shitta ato ni nigenai de watashi wo mite ai ha haisei de, kyou ha nai yue ni yuuen ni ken wo sase, kimi wo kuu made ai ha kyousei de, hin ga nai yue ni rigai ni sarashite saite shimaou watashi no kotoba to kao no uragawa no tsukuri ha hito to chigau wo katachi shiteita noni baretenai no nee, kizuite yo, me wo samashite yo barabara ni shite mo wakaranai no watashi no koto, kirai dattante shinde kara iwanai de ai ha saisei deki ha shinai yue ni issho ni ibitsu wo shibaru dake ai ha raise de, nogaretai yue ni saien ni machigai mo naku shinou higeki ha kageki ni ne hora, shitto shite mo ii no ai suru shiawase nante koko ni ha nai wa kowashite kowashite dore mo onaji na no ni wakaritaku nai yaite naite chi ga urusai na sukoshi damatte wakatta wa, itsu made mo yakusoku shita desho aa kirei na nukegara yue ni itoshii nakami ha iranai no aa s...

There are things that people around you say you had better stop doing, but which you honestly don't want to stop doing at all. I wrote this song because I wanted to express those things you shouldn't do - Yuu

 "We can look at a chaotic story with a sense of serenity. I think this is because we are the only ones who know the important secret that is kept from the people in the story: that every story has an ending. We, on the other hand, are not at ease when it comes to reality, because the story in which we live is vaguely shrouded in this great secret. If we "retell" the story, the secret revealed will return to the secret withheld, and we will have to live in the same reality as the people in the story. It was scary, but also very interesting. When we put the story into the structure of "reenactment," it became clear that there are many layers of "reenactment" structures hidden within the story. In reality, for example, we repeat the same routines, we see the same person in a corner of our memory when we talk to someone else, there is no end to regrets, humanity repeats the same history, and so on... All of these are things that we thought w...

I wrote a song titled "Hatchet". An axe appears in the lyrics as a symbol of something that cuts off suffering. It depicts the confusion and recollections of a person trapped underfoot, stuck and slowly drowning. It's a little bit disturbing. I was thinking about making it catchy, considering it was a song I was contributing to an album, but one day I felt something welling up in my gut, and I decided to capture that moment of anger. I spat out the first draft of this song on the same day. I wrote this song completely for myself, but I offered it to Yuu because I thought he could match its wavelength. I hope it was okay. Thank you for everything. - Mah Hirano    (translated with deepl)

  "Sometimes, when living under a burden that we can't just throw away, we have the miserable urge to go back in time. Every time we are confronted with something final, we are reminded of the cruelty of not being able to go back in time. I am sure that some of you reading this article can in part identify with this. It is a weakness that we all have, which ultimately leads us to something common in science fiction, such as the time machine or the cold sleep machine. The song title "Katrina" was used as a replaceable noun, like Hanako Yamada in Japan. Although the title of the song is a female name, the poem is written from a male perspective. The number of syllables was reduced so that the singing voice could come to the forefront. As is the case with music, be it academic or otherwise. If you label yourself as free, you will have an infinite number of choices, and you will suffer the pain and regret that comes with that amount of freedom. However, the beauty of a n...

Lyrics/Composition: Kairiki Bear “Endgame" means the final stage of a chess game in which you know that your life is already "deadlocked. In fact, "Endgame" is a sequel to "Telestories," from Yuu Miyashita's second album, "Walking in Blue," so we recommend that you compare the two. In "Telestories," the main character uses a telescope to look into the future, but in this song, I depicted the present as seen from the perspective of the person who created this horrific world. The protagonist, who has a strong sense of inferiority in an unequal world where only he loses and is hurt, objects to the world's claim to equality and begins to offer a "negative" equality that makes everyone "happy". Personally, I like Yuu Miyashita's rendition of "Remingu " very much, so I used it as a reference, and after listening to other videos of Yuu Miyashita's songs on continuous playback, I created this song s...

Lyrics and music by Nanashi Hachiya The title of this song, "Dahlia," was chosen because the finished lyrics are similar to the flower language of the dahlia. I aimed to create a song that is easy to relate to, as if I took a step back and looked at things from a bird's eye viewpoint and saw myself coldly, so that no one would get hurt. I wrote the lyrics very honestly. I love Mr. Miyashita's dense chorus, so I included gaps throughout the song where the chorus can be heard. The relationship between the chords, melody, and rhythm is musically complex, but the final result is very beautiful. In fact, I had a talk with Mr. Miyashita the other day, and he told me about a soundproof room that he recommended, which led me to renovate the soundproof room. We hope you will enjoy the work created by the combination of Ms. Miyashita's singing voice and various instruments. - - - The flower language of "dahlia" is Elegance Dignity Prosperity Capriciousness Fickle ...

gyutto nigirareta shinzou, nomihoshite tsumiki ni ashikake, mioroshiteiru itsuka mita koto atta dorama, manete sa sange ni shisutaa, bouyou wo matteru ai uro sesshu doutoku hantei kuraimu rinri kekkou shunkan no bigaku wo toita kimi ha dare? kaidoku funou no shuuen, kigeki wo nejikomu hyouban wow oh shinzou wo kettobashite kotobaa ni tokeau gyakusetsu, poppu ni irodoru juusan-dan wow oh motto, takaburu kyouki no tane ato ha gojiyuu ni shitta kocchanai a ato ha gojiyuu ni nando yaru tsumori da, saigo no bansan supoon fooku motte yodare tarashite zutto tamekonda honnou, bakuhasasete sa korogatta zanpan, nigiwau gunshou seiten wo te ni totte, magaimono ha haijo shite kairaku wo wakaraau no ha "ai" de shou ka kyousai wo oshitsuketa akaku somaru kono te de sawarete ii ka na kawaki ni kueta chuudokusha, uso da to shinjita jijitsu Wow Oh aijou wo kakimazete ai de umoreta shoujo no kyaroru kekkyoku bokura muhou na eiyuu Wow Oh seigi ha dare mo tomararenai mou isso zen...

The heart that's clenched in my hand, I drain it. I'm sitting on top of a tower of toy blocks, looking down on you. I'm mimicking one of those dramas I'd seen. Sister in repentance, waiting for the lost sheep. Lament, falsehood, assimilation morality... Judgment, Crime, Ethics, Determination. Who are you to lecture me on the aesthetics of this moment? The end of this indecipherable performance, the contrived reputation for comedy. Wow Oh, kick the truth to hell Words dissolving into paradoxes, thirteen levels of pop coloring Wow Oh, more, that kind of maddening zeal The rest is yours to do as you please I don't care what you do Feel free to do whatever you want How many times are we gonna have this Last Supper? With a fork and a spoon, drooling Let all your pent-up urges blow you to pieces. Leftovers scattered on the floor, a crowded little herd. We'll take the canon in our hands and eliminate the imposters. It is "love" to share the pleasures of l...

It was just a pinky promise, a blackened vow.. It burns to the tips of the nails. You've no choice but to lie to me, now. Would you like to devour my true self, just the two of us, together? Don't run away after seeing the truth; Look at me. Love is such a struggle, it's no fun at all, therefore I'll delicately stab with my blade until I've eaten you whole. Love is compulsive and vulgar, therefore it is unreasonable. Let's tear it open and expose it all. Behind this face and these words is an inhuman figure; even though you know this you won't tell anyone, will you? Please notice me, wake up, wake up I could tear you to pieces and you wouldn't know. I can't believe you didn't like me. You're dead, so don't say it. Love cannot be regenerated. therefore, for the rest of our lives we'll be bound by this distortion. Love seeks to escape into the next life. Therefore, let's re-live it. No doubt about it, just die. Let the tragedy...

Drowning in shadows, i caught hold of a dream, plunging an angel into the sea. the shadows don't yet know how this dream will end. I kept chasing that evasive, dark night, The transgressions are still lying, unable to go mad TISA, of the beautiful crimson blood I want to hurt and take you away. TISA, with her tears like jewels Your eyes I will adorn. The darkness had vanished, as if nothing had happened. An angel was crying in the light. Drowning in shadows, i caught hold of a dream, I found an angel in the sea the shadows don't yet know how this dream will end. On an aching moonlit night If you scratch it off like a flower in bloom My smile was broken from the start. TISA, the most beautiful of all I'd like to cut your heart out. TISA, with her voice like ice I'll only love your neck The darkness had vanished. Nothing could be allowed to remain. An angel was crying in the light. Even if you were alive, you'd still be dead. You must be cursed. I want her. I want h...

Recently, I have been getting a sense that my views and moral values clash with others, especially in the recent years. In this song, I wanted to embody the way that moral values, which can be seen as "guidelines for considering others," turn into incoherent insanity that can result in beating others to a pulp. Since madness can also be taken to mean hell, I took the name of the song from the Russian word "ад (read: art)," which means hell. During the creation of the piece, I thought that art would finally be completed when Yu Miyashita's song was displayed on top of the madness. I have a habit of piling up instruments to fill in the blank spaces, but this inevitably leads to the addition of ani-song-like elements, so I decided on the roles of each part and used only the minimum number of tones. I wanted to create a pop song with an eerie atmosphere, so I based it on a cover of my song "Grimhild" by Yu Miyashita, which had previously been pos...

「01」エンドゲエム ・ end game english translation / romaji / 歌詞 / concept book 「02」悪夢のララバイ・ akumu no lullaby english translation / romaji / 歌詞 / concept book / MV 「03」es english translation / romaji / 歌詞 / concept book / lyric video 「04」アノニマス・エゴイズム・ anonymous egotism (new translation) english translation / romaji / 歌詞 / concept book 「05」君を論じたい ・ kimi wo ronjitai english translation / romaji / 歌詞 / concept book / MV 「06」アート・ art english translation / romaji / 歌詞 / concept book 「07」TISA english translation / romaji / 歌詞 / concept book 「08」カトリーナ・ katrina english translation / romaji / 歌詞 / concept book / lyric video 「09」ダリア ・dahlia (new translation) english translation / romaji / 歌詞 / concept book / MV 「10」Coquetterie Dancer english translation / romaji / 歌詞 / concept book / MV 「11」ハチェット・hachet english translation / romaji / 歌詞 / concept book / lyric video 「12」輪廻転生・ rinne tensei english translation / romaji / 歌詞 / concept book / lyric video ...

 The title is "Anonymous Ego," which translates to "the true self in hiding. It is a story of true self-acceptance, of someone who looks a lot like you, someone you don't like, but who, when confronted, turns out to be someone you don't want to admit to being yourself. The concept of the song is based on three key words: dark, narrative, and self-aware, and the image was created by adding a sense of speed and frustration to the music. The main character in the lyrics is a teenager, but I believe that even as adults, we all have parts of ourselves that we dislike that we cannot fully accept. Even if these parts are told in a straightforward manner in a cheerful atmosphere, they may not be able to be honest and may not be able to accept it even more. When I was developing the image of this song, I thought that this dark and fast-paced song would be able to convey this theme to the audience. I rewrote the lyrics many times until the very end, because the nuance of t...