rinne tensei・concept book・sabitsuku made

 "We can look at a chaotic story with a sense of serenity. I think this is because we are the only ones who know the important secret that is kept from the people in the story: that every story has an ending. We, on the other hand, are not at ease when it comes to reality, because the story in which we live is vaguely shrouded in this great secret. If we "retell" the story, the secret revealed will return to the secret withheld, and we will have to live in the same reality as the people in the story. It was scary, but also very interesting. When we put the story into the structure of "reenactment," it became clear that there are many layers of "reenactment" structures hidden within the story. In reality, for example, we repeat the same routines, we see the same person in a corner of our memory when we talk to someone else, there is no end to regrets, humanity repeats the same history, and so on... All of these are things that we thought were over, but they are not, and when we think they are gone, they hide themselves in the depths and take over everything. It was this structure, or rather, the principle of the hidden world, that fascinated me. I decided to call this hidden principle "reincarnation," and to burden it with the title as a fate from which this piece could not escape" - shannon

"The production was supervised by the virtual Yuu Miyashita, who "re-enacted" the Indian dances in his mind's eye while watching them endlessly on YouTube, probably by the descendants of the people who first discovered "reincarnation. We will need to verify on a daily basis how well the real Yuu Miyashita and virtual Yuu Miyashita match" - also shannon