the miyashita yuu lyric archive

In my mind's eye, I had a vague image of the characters and setting of the world, which was a slum-like environment. The main character, a poor boy who earns his daily bread by dancing, is constantly abused and mistreated by everyone, and gradually becomes mentally deranged due to poverty and stress, unable to distinguish between reality and fantasy. He ends up hunting down those who mocked him, covering himself in their blood, and dancing to attract attention. The story is a metaphor for the feelings we all have of wanting to be noticed and not be abandoned. The wonderful images created by Uguisu Kobo blend the psycho-horror elements that blur the line between reality and delusion with the comical and eerie cartoon-like worldview, and when combined with Yuu's songs, it is a unique and one-of-a-kind work - nilfruits This is a "pop and mad" animated music video with cartoon-style visuals and a psycho-horror backstory. For this work, we dared not to create a storyboard,...

When writing a new song for Yuu Miyashita, an artist with such a rare voice, my first thought was "I want to present him with an exhilarating song. That's how "I want to discuss you" was born. The theme is the title itself. I just wanted to discuss it. It may sound like a lie, but the idea had already formed in my mind during the meeting. I must have been lucky. It was sick, bizarre, dark to the point of longing, aggressive, abnormal, and alluring. Naturally, these were the images that were in my mind when I was composing the music video. Now that you have made it into a music video, I think you have skillfully expressed the atmosphere of "pleasant darkness" that I put into the sound. It is brilliant. I discuss "you" with sound and brushstrokes, and Yuu Miyashita discusses it again with his singing voice. I hope you will all try this uroboric piece. I hope it will please your palate - teniwoha I created the picture and storyboard based on Teniha...

rarabai, boku ha kaerenai nete mo mezamete mo yume no naka akumu ha chi no kaori ~doko made mo~ mogaki kurushimu sono sama de dake na no kawaki wo uruosu no ga jinsei nanda mou zutto zutto mukashi suteteta hazu no noroi, ima mo "boku ha zenbu oboete iru kara ne" yameta omoi ga kokoro ni aru no sa itami ya funnu ga meshi no tane kanashii uta ga kokoro wo tsukisasu rarabai, boku ha yume no naka mezamenai yamanai yume no naka nogareru koto ha yurusarenai kurikaesareru dake ~itsu made mo~ me to me ga aeba un no tsuki shi no hate made yorisoi au no ga unmei nanda sugisatte shimatta koto to nagasou to shite, mo boku ha "zettai ni yurusanai kara ne" himeta negai wo sodatete iru no sa dare ka ga dou toka hontou zai nemurenai yoru ha koudoku wo tashinamu rarabai, boku ha kaerenai ame ga yamedo kaerenai aa nando nando akirame tadoritsuita saihate e sono akumu sae mo yume no ichibun to shiyou dakara "kimi mo nogashi ha shinai yo" yameta omoi ga kokoro ni aru no sa it...

"The theme of this song is like a never-waking nightmare. At the same time, I also imagined love and addictions that you can't quit even if you try. I wrote this song while thinking about the similarities between the suspicious atmosphere of Yuu Miyashita's song and the atmosphere of my own music. I also like the way the song has a narrative part before the chorus, which is creepy in a good way." - syudou "They were lovers, but one day they get into an accident which causes the woman to lose consciousness. The man comes to visit her every day, but the woman has a hallucination in which they blame themselves. The reason I included a shot of the man wearing a patient's uniform is that he might actually be the one who has had an accident and is asleep. I wanted to make it seem as if the man is having a nightmare and the dream is either true or false." - 檀上大空 "A bud has sprouted on the man's back, and the part of the flower that has begun to bloom w...

kage ni oboreta, yume no ude wo tsukanda tenshi wo umi ni shizumeta kage ha yume no owari wo mada shiranai nigemadou yamiyo wo oitsuzuketa zaika ha, mada uso wo tsuiteiru, kuruenai mama utsukushii akai chi no TISA kimi wo kizutsuke, ubaitanda houseki no you na namida no TISA kimi no hitomi ha, kazatte ageru kara kage ni oboreta, yume no ude wo tsukanda tenshi wo umi de mitsuketa kage ha yume no owari wo mada shiranai itaraku tsukiyo ni, kakimushireba hanasaita you de hajime kara emi ha kowaretetan da dare yori mo uruwashii TISA kimi no kokoro wo, kitte mitai na koori no you na koe no TISA kimi no kubi dake, aishite ageru kara yami ha kieteita nani mo yurusanu mama ni hikari no naka de tenshi ha naiteita ikitatte shindeiru norowareteirun darou ano ko ga hoshii ano ko mo hoshii owaranai yume wo miterun da koko de shiawasesou ni shiteru ai de afureru yume no tsuzuki wo itoshii TISA ni kakomarete yami wo nomu no ga, akki no you de kizuitan da haite haite haite nigerarenai sashite sashite s...

yubi wo kitta dake kuroiro no yakusoku moete moete tsume no saki made ima sugu uso wo tsukanakya hontou no watashi wo kimi to issho ni tabetai no? shitte shitta ato ni nigenai de watashi wo mite ai ha haisei de, kyou ha nai yue ni yuuen ni ken wo sase, kimi wo kuu made ai ha kyousei de, hin ga nai yue ni rigai ni sarashite saite shimaou watashi no kotoba to kao no uragawa no tsukuri ha hito to chigau wo katachi shiteita noni baretenai no nee, kizuite yo, me wo samashite yo barabara ni shite mo wakaranai no watashi no koto, kirai dattante shinde kara iwanai de ai ha saisei deki ha shinai yue ni issho ni ibitsu wo shibaru dake ai ha raise de, nogaretai yue ni saien ni machigai mo naku shinou higeki ha kageki ni ne hora, shitto shite mo ii no ai suru shiawase nante koko ni ha nai wa kowashite kowashite dore mo onaji na no ni wakaritaku nai yaite naite chi ga urusai na sukoshi damatte wakatta wa, itsu made mo yakusoku shita desho aa kirei na nukegara yue ni itoshii nakami ha iranai no aa s...

There are things that people around you say you had better stop doing, but which you honestly don't want to stop doing at all. I wrote this song because I wanted to express those things you shouldn't do - Yuu

 "We can look at a chaotic story with a sense of serenity. I think this is because we are the only ones who know the important secret that is kept from the people in the story: that every story has an ending. We, on the other hand, are not at ease when it comes to reality, because the story in which we live is vaguely shrouded in this great secret. If we "retell" the story, the secret revealed will return to the secret withheld, and we will have to live in the same reality as the people in the story. It was scary, but also very interesting. When we put the story into the structure of "reenactment," it became clear that there are many layers of "reenactment" structures hidden within the story. In reality, for example, we repeat the same routines, we see the same person in a corner of our memory when we talk to someone else, there is no end to regrets, humanity repeats the same history, and so on... All of these are things that we thought w...

I wrote a song titled "Hatchet". An axe appears in the lyrics as a symbol of something that cuts off suffering. It depicts the confusion and recollections of a person trapped underfoot, stuck and slowly drowning. It's a little bit disturbing. I was thinking about making it catchy, considering it was a song I was contributing to an album, but one day I felt something welling up in my gut, and I decided to capture that moment of anger. I spat out the first draft of this song on the same day. I wrote this song completely for myself, but I offered it to Yuu because I thought he could match its wavelength. I hope it was okay. Thank you for everything. - Mah Hirano    (translated with deepl)

  "Sometimes, when living under a burden that we can't just throw away, we have the miserable urge to go back in time. Every time we are confronted with something final, we are reminded of the cruelty of not being able to go back in time. I am sure that some of you reading this article can in part identify with this. It is a weakness that we all have, which ultimately leads us to something common in science fiction, such as the time machine or the cold sleep machine. The song title "Katrina" was used as a replaceable noun, like Hanako Yamada in Japan. Although the title of the song is a female name, the poem is written from a male perspective. The number of syllables was reduced so that the singing voice could come to the forefront. As is the case with music, be it academic or otherwise. If you label yourself as free, you will have an infinite number of choices, and you will suffer the pain and regret that comes with that amount of freedom. However, the beauty of a n...